Sometimes our lives our like movies. It doesn’t matter what we do or what we say, it’s almost like we’re having an out-of-body experience watching ourselves make strings of bad B-movie lines as we stumble our way through each day.
Or am I the only one who gets caught in daily episodes that play out like movie scenes?
It can’t just be me. I used to date a girl who said life was her movie, that she was the star, and the rest of us were just second-rate actors. Yeah, that one didn’t work out.
When you’re not feeling well, sometimes the world just naturally seems distant, movie-ish, a film shown on a distant fog. Life doesn’t happen where you are but twenty-five feet away on the big screen that consists of the world around you. That’s my summer chest cold in action. And I brought it to BIFF. Cough!
Believe it or not, I felt better watching the works of Bakersfield filmmakers. I sat in the quaint Spotlight Theatre while Roger Mathey of Seat of Your Pants Productions hosted the show and introduced each piece.

Zowietown editor gets interviewed at BIFF
by Mel Wells II of TV 17...

Some of the fans of BIFF enjoy the Spotlight Cafe...

Film fans wait for the action...
Opening Night with Zowietown and Cinema of the Lords Contest:BIFF kicked off with a little Noveltown speech by me about a short film contest called
“Cinema of the Lords”. Check out the details:
Noveltown has a short film contest for any interested filmmaker from Bakersfield and beyond: ‘Cinema of the Lords’ short film contest. Grand prize? $500.00! All you have to do is beg, borrow or steal a copy of Lords: Part One as all entries have to be based on a scene from the dark N.L. Belardes novel on creepy happenings in Bakersfield, circa 1977.
Short films can be drama, horror, documentary, comedy, mockumentary, claymation, or animation.
You can purchase a copy of Lords: Part One from noveltown.net, or amazon.com.
Entry fee is $15 per entry. You can enter as many times as you like.
Entries must be submitted on DVD and be at least 3-10 minutes in length.
All entries will be posted on Noveltown.net and possibly shown at an upcoming BIFF.
Entries and entry fees are due by October 1st with winners announced on Halloween, 2006. Contact noveltown.net with any more questions on this very creepy short film contest.BIFF then showed
Episode Two of Zowietown, “What is BIFF?” a hilarious interview with the frisky hip director/producer himself, Roger Mathey (
Watch him play with toys).
(You can also add noveltown on myspace:
myspace.com/noveltown)


Meatydish Production folks skip film festivalBIFF’s short entries included a barrage of film shorts that included Meatydish Productions music videos and hilarious episodes from their Brighthouse Network show, Damaged TV. Although there was a nice crowd in attendance, no one from Meatydish or any of the promoted bands or radio showed up to the event other than The Filthies on Saturday to help promote their “Embalm You” video. Especially disturbing was the Krotch video. The audience wasn’t sure whether to clap or not until one lone audience member from the video stood and clapped. I thought the director’s non-attendance was embarrassing, since the films and videos promoted local music, radio and TV personalities. Was it egos or did they just not know about BIFF? Strange.

Meathead and Desi of Damaged TV
Hectic Films premieresPremiering for the first time at BIFF were many entries from
Hectic Films, including the short film, “Medicated” on opening night (Stars Amanda Klawitter and Jason Sanders). Rickey Bird is an interesting young filmmaker and is just one of many people in the Hectic Films circle of up-and-coming moviemakers who all collaborate to make some really cool works of art. I met Rickey on day two of the Festival for an interview that will be on
episode 36 of the Buck City Podcast. We talked about where Hectic Films is headed and about some of their production techniques.

Scene from "Medicated"
The guys from Hectic Films make dark dramas, some tongue-and-cheek, with most productions including messages revolving around the corrupt and often psychosomatic American culture of drugs, murder, insanity and cops. "Medicated" is a short film that builds on the idea of mankind dependent on medication. Without medication, man’s views of the world are an illusory path of darkness and fear. We see this theme through the eyes of a character who wonders if he took his meds. Other Hectic Films entries included: "Karma Police", "Badge Part One", "Fly on the Wall: Episode 1", and a trailer for their feature film, "Daft".
I really dig “Fly on the Wall”, a piece you can watch on the Hectic Films website along with all the other episodes I mentioned. Fly is about someone who may have committed murder in his own home. Did he? Watch the video and come to your own conclusions.
Another viewing of Fresh FishThere were only two stop motion short films in the film festival. One was by a six-year-old artist (with help from parents), and the other was the short film, "Fresh Fish", which entertained its second BIFF viewing on Saturday. Rod Lester will be featured on Zowietown episode three, where he talks about some of his stop motion techniques with decoy duck props. If you haven’t seen his short film about fishing equipment without ‘people’ catching fish, it’s going to be on youtube.com soon and I’ll feature it on my music and podcast page. You’ll love it.

Matt Kieley Films prides on the art of low budget moviemakingI met
Matt Kieley and some of his actors on Friday night after viewing “Lament of the Machines” and “Cam Cam Dies”. We stood outside of the Spotlight and talked a little about film and his techniques. I asked if he was a student. “Just at Bakersfield College. I take some theatre and other classes here and there,” he said. Saturday’s festival showings included Kieley’s, “The Loneliest Man in the World”, “One Thousand Roses” and “Life as a Zombie”. Matt’s improvisational style is inspired by Robert Rodriquez and the idea that you can make a movie with almost no money at all.

From "Lament of the Machines"
Sure, you can tell his films are made with little more than a camera, some lights here and there, not much of a script and lots of quick editing (most of his movies are films in the Ming and Real Road area at or near Curran Junior High); but that didn’t keep the audience from laughing and being entertained by the goofy robotic antics in “Lament of the Machines” or feel disturbed by the prowling narrator in an apocalyptic cityscape in “The Loneliest Man in the World.”
Where is Richard Van Horne? Is he an egg??I kept seeing this
Richard Van Horne kid in films throughout the film festival: “The Fabulous Felix McCabe” (Big MTV Film Director winner,
Landon Zakheim directed) “Richard” (He’s a murdering boy with a nasty chainsaw), and
“Stoopid Heroes” (Kid heroes and the chicks who pretend to not like them). I didn’t see Richard Van Horne at the festival. Maybe he was in an appearance with Meathead and KRAB radio, who were all hiding under rocks. His movies are quality productions with budgets… at least comparatively to most films shown at BIFF. And his acting isn’t too shabby. Look for him
to continue to appear at BIFF.
I’m surprised he didn’t have a cameo as one of the eggs in Gagfilms pan splattering short film, “EGGS” by
Dane Boedigheimer that also shown at the festival. View this hilarious short film
here…
Being disturbed by Naked Twister on opening night“I made the film on a dare,” said
Roger Mathey. “That’s how I end up making most of my films. And then I get accused of making films about ex-girlfriends…” Can he help that some of his ex-chickadees were both on the psycho loony side and inspiring in the art of filmmaking? Sure, "Naked Twister" was disturbing as hell. I don’t normally need to see any full frontal nudity unless it’s a hot babe dancing the rock-a-hula, and even she can be wearing coconuts. But theatre people really don’t care if people see their hot salty nuts, their bajongas, or their gonadopolis kingdoms on stage or the big screen…


Revealing, yes, Roger’s movie is well done. The lack of close-ups disturbs Roger but really puts the film in its proper disturbing naked perspective. Close-ups would have hid the spaciousness of the living room setting of the film. The audience would have likely felt more secure with close-ups. But that wasn’t the intention of Naked Twister, a film about relationships hidden behind social gatherings and board games, and suddenly coming to light through the freedom of nudity and discussion. Such freedom bubbles dark tidings to the sleek-skinned surface of the film as well, leading to the naked twisting truth of the characters: that some secrets should just be left covered, separated and lifted with a nice colorful Wonderbra. A fun twist and plot on a disturbing film. I hadn’t been slapped as hard or kicked between the legs in socio-revealing filmmaking since Brokeback Mountain’s make-out scenes… I just want to know what the next big project of Roger's is going to be...
TV Party Tonight’s editor/creator almost runs from Spotlight TheatreI’m not kidding.
Scott Chesire is a hilarious filmmaker, editor with a dark sense of humor perfect for such a film festival. “I wasn’t sure how the crowd would react. So I sat in the back of the theatre in case I needed to make a quick getaway.” I’m telling you, he was ready to run! His film,
“TV Party Tonight” was originally meant to be a dark Christmas card to friends. In reality his work is an incredible piece of film/video art that depicts the strange nature between humor, horror and prophecy. Mix that up with archaic TV and clips from the film archives of our strange pop culture of television commercials, TV shows and bad films and you have a strangely flowing film that grabs, pokes fun, and philosophizes all at once.
A section of his movie recently spread onto thousands of websites (over 7,200 views just on youtube.com alone!), far beyond youtube.com as a means to show how bands should take fan pieces as ways of advertising their own works. Once scene is a music video: archive clips put to an Alice Cooper song and is literally an editing masterpiece.
“I also have a strange fear of clowns. All of the clown footage is exclusive,” Scott said.
Ah, so not all of TV Party Tonight is from our seedy pop culture past?
In fact, it was an anti-smoking budget that took a friend of Scott’s to board a plane and have to film the clown scenes. He was traumatized while filming the abrasive evil smoking clown and so the audience got to see some of that very surreal exclusive footage in "TV Party Tonight".
Youthanasia highlights Bakersfield Independent Film Festival with gusty performanceI’m glad I found a film I liked better than “Disposable”. I look beyond rookie filmmaking and into the stories and some of the artistry and had liked “Disposable”. I was never expecting Spielberg. But I felt awkward since I was laughed at by some of its actors for liking the film. I mean, hey, I liked it, big deal. And if you acted in it... well... why did you act in something you're not proud of? So much for “Disposable” and its actors who seemed to have cast it aside like the cheap camera in the film…
Then I saw “Youthanasia”. Clearly the headliner of the Bakersfield Independent Film Festival, I honestly wasn’t expecting much of a film. I already knew Justin Zachary II was the big actor from Bakersfield who appeared in the play rendition of “Trainspotting”, who had moved to LA to make it big along with one of his sweethearts, a local actress in love with both he and the big screen. Hoopla, hoopla, hoopla... The title didn’t even grab me… I really was ready to just take myself and my chest cold either back home or to a nearby bar for one ice cold pear cider.
I tried to leave the theatre during the opening credits.
But there was this hardcore punk song and speeding camera work that introduced the credits.
OK, I will stay to watch the opening credits...And then a sappy romantic opening… I was on the edge of my seat getting ready to leave, thinking,
Oh this is a typical LA film with a walk on the beach… I’m getting out of dodge.And then I was sucked in.
Dammit.
The characters were in a brotherhood of friendship about to be torn apart because of the sexual appetite of youth and young love. Sounds simple, but "Youthanasia" is the killing of youth, put to rest and executed because youth simply wants to be left alone by parents, ex’s, and even friends so that the exhilarating passion of a relationship can be left to itself.
And woven very well by the
Runnels brothers...
Youthanasia is a movie that takes such a world of tragic youth and spins it into a dismal end as if watching loved ones in a spiral that can only have one outcome: a rebirth through a tragic end.
Justin Zachary’s acting is engaging and believable, and the film does a good job of making him appear both youthful and appropriately dismal in scenes that are woven between innocence and lost innocence.
It was really a great coming of age film and a perfect way to end the Bakersfield Independent Film Festival…