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Paperback Writer: A Bakersfield, California literature, music and news blog

BookTour.com makes Book Tours pain free – By Melinda Carroll

One of the hardest things in the literary world other than getting published is connecting authors and readers. Setting up book tours, promoting appearances and actually getting readers to show up to your book signing and hopefully buy a copy of your book is a dreaded but necessary evil for most authors.

Finally, there is an online service to help authors connect to readers. BookTour.com.

From BookTour.com’s About Us page:

“BookTour.com was founded in late 2006 by three authors who believe that technology can transform how authors find receptive groups of readers.

We're a free online service that connects authors and potential audiences of all sorts, from book groups to civic organizations, from bookstores to corporate events. Authors create their own page (biography, books, tour dates and availability) and any group looking for speakers can find them and contact them directly to arrange for an appearance. Relevant information for both authors and venues can be added in minutes through a simple fill-in-the-blanks interface. Connecting authors with potential audiences then becomes as easy as searching (by geography, book titles, subject, dates of availability) and sending an email.

For authors, BookTour.com serves as a one-stop tool for book promotion, allowing authors at all levels of their careers to locate receptive live audiences. For readers and audiences, BookTour.com makes finding when a favorite author is coming to your town as easy as checking the weather.

BookTour is based in San Francisco, the city that buys more books (and wine) per capita than any in America.”


I found BookTour.com on the Booksquare blog recently. Have I told you lately how much I love Booksquare? I LOVE Booksquare! The writers at Booksquare are just fabulous at finding literary gems in the publishing world like BookTour.com. And once found I just have to pass these gems along to you all.

Booksquare had this to say about BookTour.com:

“Thanks to easy-to-use, modern technology, you can get out the word about your appearances. But wait, there’s more! By combining authors, books, and places, you get personalized content. Like, oh, a weekly newsletter telling you about author appearances in your neighborhood and, once you’ve registered, the home page gives you a listing of upcoming appearances (dates would be helpful here).

By taking a multi-pronged approach to getting author appearance information into the database, this increases the breadth and depth of information for readers. Since they’re the ones who matter, this is very good indeed.”


(Read the full blog)

BookTour.com is still in Beta phase and will only get better from here.

So authors, what are you waiting for? Get on over to BookTour.com and register and list your upcoming appearances. BookTour.com is not just for authors. So all you readers out there get on over to BookTour.com and sign up and start receiving news of when your favorite authors will be in your town promoting their books.

I know Noveltown will be registering on BookTour.com and using it as a tool to help connect authors to readers and vise versa.

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Noveltown to attend May 28 Small Press Book Fair - By N.L. Belardes

This summer Noveltown is busy growing and expanding. You'll read very soon how we've expanded deeper into the world of poetry with the likes of S.A. Griffin and Rafael Alvarado as poetry co-editors for our magazine. There's also some interesting partnership developments you might like that we'll tell soon. Later this summer we're releasing next issue of the Noveltown Review featuring the London Brutalists. Also late in the summer we'll be attending literary events, including the Yosemite Writers Conference. But first...

This weekend we'll be in Santa Monica for a great Indie Literary Press event. We'll be on hand with Cardoza Muller Productions for a talk at 1:50pm.

2nd Annual Small Press Book Fair:

AN EXPANSIVE DAY OF WRITERS, POETS AND PUBLISHERS:
Monday, May 28th, 2007, Memorial Day
10:30 am - 6:00 pm

LOCATION:

The Church in Ocean Park
235 Hill Street, Santa Monica

Donation at the door suggested

10:30 am Opening remarks - James Maverick: host and M.C

10:50 am Red Hen Press - poets to be announced

11:10 am Robert Greenfield (KCTV Literary talk show host): “on small presses”

11:30 am Lummox Press - Raindog

12:05 pm John Harris - poet

12:20 pro Beyond Baroque Press - readers to be announced

12:50 pm Cahuenga Press - James Cushing, Holly Prado, Harry Northup,

Phoebe McAdams

1:05 pm Bougie Girl Press - A. R. Alexander

1:20 pm Blue Press - Lewis McAdams, Kevin Opstedal

1:35 pm Solo Press - Kevin Patrick Sullivan

1:50 pm Cardoza Muller Productions & Noveltown - Rafael Alvarado, Nick Belardes & Leo Victor Briones

2:30 pm Kalimat Press/Highborn Lady Press - Anthony A Lee

2:45 pm Half Shell Edition - Pam Ward, Claudia Handler, Brenda Yates, Scott Wannberg

3:05 pm Sybaritic Press/poeticdiversity – Rachael Kann & Brenda Patrakos

3:20 pm Vinegar Hill Press - Donna, Gebron

3:35 pm Lynne Bronstein—poet

4:05 pm Rich Ferguson – poet

4:20 pm Sacred Beverage Press - Doug Richardson

4:35 pm Rum Razor Press - reader to be announced

4:50 pm Fall Star Magazine - Matt McGee

5:00 pm Rattle - M. Bitting, D. Griffiths Stamos, G. Mittelbach, M. Margolis, M. Lopez, P. Aylsworth

5:15 New Editions – Kevin Clark

5:30 pm Zenitram Press – Brenda Martinez

5:45 pm Ex Macina Press – Peter Balaskas

6:00 pm Ink Pen MutationsPress – kalamity j

Take SM Bus #s 1,2, or 8, and MTA Bus # 33. Wheelchair accessible. Information? 310-828-3951. Schedule subject to change.

Includes readings, refreshments, and an enlightening day of learning about the significance of small presses to the history of Los Angeles. All welcome.
Proceeds go toward the social justice work of the Church in Ocean Park.

Links: LA Times, Beyond Baroque, LA CityBeat

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Amy Wallen talks sugary goodness and her LA Times Bestselling book, Moonpies and Moviestars - By N.L. Belardes


Amy Wallen's new book is an LA Times Bestseller

I first met Amy Wallen online. Oh wait, that's the only place I've met her, other than reading her book, Moonpies and Moviestars. You know, reading any book is like stepping right into the skull of a writer. In this case, one obviously from the South, and one who has hit the streets of Hollywood with a notepad and eye for detail.

Let's face it, if you're in Bakersfield and you're a fan of the Paperback Writer blog, then you might know someone very much like, oh, let's say, a Texan, or an Oklahoman. And, you might have observed them having a starstruck opinion of Hollywood--a mere 100 miles south of Bakersfield. You know those people. They tend to have never even been to Hollywood. C'mon admit it. And yes, there are many exceptions to this rule.


Amy Wallen, with wings made of leaves

For those of you who don't know. Hollywood is south of the agricultural and oilfield landscape of Bakersfield, an area once filled to the brim with Joads-like immigrants of the Dust Bowl. Bakersfield has since grown a teeny bit more metropolitan, though I have to say, raised monster trucks are still a daily sighting in the land of Buck Owens.

Why am I bringing all this up?

Because if you're familiar with the South and with Hollywood, then you are more apt to get the comic humor and real-life dialogue from Moonpies and Moviestars. You'll just get it. Wallen's story in turn will appear less the stereotype and more, "Hey, those characters are people from my family." Or, "Those characters I swear live right up the street from me." Or maybe even, "That is me."


I don't understand this photo, but Amy sent it to me and weird photos are cool

It's not a long stretch from the good old Okie mentality that still permeates Bakersfield. The South has forever swathed its paintbrush onto Central Valley California culture. You can't escape it. You just live with it. Or you are it.

Amy Wallen's road-trip story is pure comedy, pure fun and a psychological Winnebago voyage through characters as strange as any dysfunctionally functional Southern nuclear family.

I'm not lying.

With that said, here's a fun Noveltown interview with Amy Wallen:

Interview:

Noveltown: Ms. Wallen, you have quite the tale you have spun. It’s kind of Southern, it’s sort of Hollywood. It’s a tour de force mystery comedy literary hijinks of what happens to a runaway. Yes, did I say funny? Funny seems to be lost in many people’s vocabularies these days. Yes, a funny book that hides serious issues regarding runaway children. Now, if you’d be so bold, please, allow the real Amy Wallen to comment regarding the idea of serious issues hidden in the comedy of your novel.

Amy: I love humor to tell serious stuff because it’s a great way to trick the reader into feeling the bad feelings. You get them to laugh hard, and then you drop a real sad doozy and they start to bawl because they didn’t have their guard up. But if you are writing a serious novel, then they are waiting for the doozies and they have steel mail over their hearts. It’s about getting people to be open to their emotions.



Noveltown: Moonpies… and Moviestars… Porkchops… and Applesauce… I’m seeing a connection here. In fact, I’m guessing your subconscious behaviors are rooted in a certain episode of The Brady Bunch, quite possibly indicating a hidden love for the 1971 version of Peter Brady. Now, I’d like to cut through the crap. Do you still madly love Peter Brady, and tell us how you named your novel and the process in doing so.

Amy: I had the hots for his older brother, Greg. But I wanted to be Marsha Brady, so maybe I have some weird incestuous thing going on inside of me. My original title was DEAD ARMADILLOS AND MOONPIES. I loved that title, but I guess the word “dead” sells to a different crowd than the publisher wanted my book to sell to. My agents came up with MOONPIES AND MOVIE STARS and I think it’s pretty damn good (can I say damn here?) with the alliteration and poking fun at a couple of themes running throughout the story.

Noveltown: Of course you can say, damn. Your book is on the Los Angeles Times Bestseller list and you’re going to be on a panel at the Los Angeles Times Festival of Books this April. Please talk to us about your festival appearance in real terms. While you consider your answer, let me tell you I have talked considerably with my compadres here at Noveltown. We thought it would be a good idea to attend your discussion on humor dressed as Moonpies eating Moonpies. Sort of a… shall we say, cannibalistic sugary show and tell, from the audience perspective of course. Quite honestly, such a display would be meant to protest your work of prose art. And possibly to build from there, a step further, yes, as an ongoing exhibit at the Getty Museum. Your book would be suspended above an entire Moonpie carnage fracas like a swinging block of moony cheese.

Amy: Oh I’d love it!!! Please come!! There’s something quite ironic about MoonPies eating MoonPies since so many people tend to shun them. Or at least in California where they would prefer they were made with wheat germ or avocados. And if you can get some sort of carnage image that represents my book sounds quite intriguing. Don’t you love the word “carnage”? I suppose I’ll never get to use that in a title either.




I wonder if this is the only serious photo Wallen has ever taken?

The LA Times Festival of Books takes place Saturday, April 28 and Sunday, April 29.

I’m more than honored to be on the Fiction and Humor panel. I’ve attended as an audience member several times and it’s just so high energy, inspiring and stimulating to readers and writers alike. I’d be giddy as I frolicked around the UCLA campus to each panel. My panel is on Saturday morning at 10:30 am in Young Hall CS 24. Fellow participants are Allison Burnett, Merrill Markoe and Pamela Ribon. The moderator is Barbara De-Marco-Barrett. I hope I can contain my giddy frolicking.

Noveltown: We don’t mean any harm in our Moonpie protest and come to think of it, we don’t really have time to bother with sewing Moonpies onto our sweat jumpsuits. But I do have a question. What made you choose Moonpies rather than some other kind of preservative injected pastry or breakfast cereal for an obsession by one of your characters? I mean, consider your options: Ho-Hos and Hollywood, which really goes along with some rather naughty Hollywood behavior and risqué madam and star guestlists. Or Snowballs and Sin City. I won’t play with the humor there. So, talk to me, in a real way of course about your characters obsessions…

Amy: My grandmother owned a honky tonk on Highway 90 in South Texas. On the bar were two rounders, one with pork rinds and barbecue potato chips and the other had honey buns and MoonPies. I had honey buns for breakfast, and have to admit they were my fave, but MoonPies had a much better name. And there’s that old song, MoonPies and RC Cola.

You asked me about my characters’ obsessions. Hmmm. Well, one of them would probably have preferred to have been a book titled Snowballs and Sin City. She’s obsessed with men and having a good time. Another one is obsessed with cleanliness. Or she was during a couple of drafts, but I got tired of keeping her motor home clean when I couldn’t even keep my own house clean. And then there’s the narcissist of the bunch and she’s obsessed with herself. The little girl is obsessed with her Mrs Beasley doll (Remember Family Affair with Mr French and Jody and Buffy? Didn’t Buffy OD?). The little boy in my book is obsessed with digging the hearts out of roadkill. The roadkill has to be very fresh because he’s hoping to find a heart that’s still beating so he can hold it. Has it gotten weird enough yet? That’s probably the weirdest thing, and lots of folks wanted me to take that out, because they thought the little boy would grow up to be a serial killer. But I figured, he was being an angry little boy and if he did grow up to be a serial killer, well that would be another book to write, wouldn’t it?



Noveltown: Family Affair. Some of us at Noveltown to have to watch that because our sisters liked it. Barf. Oh the roadkill theme is magnifique! Perhaps a sequel where the obsessed kid grows up to be a weird writer guy... Speaking of weird writer guys, who is James?

Amy: I have no idea who James is. I was walking into Trader Joes grocery store one day and he kept pestering me to give him some change or to buy him some food, so I finally told him if he would push my cart, carry my groceries to my car and do an interview that sold a few million copies of my book, I’d give him a box of cereal, but only the kind with antioxidants because he has a horrible rash that runs up one side of his face.

Honestly, James Spring is one of the funniest writers you’ll ever meet. The sarcastic and insulting remarks just spill out of his mouth and pen (maybe those are just directed at me?). What I can’t figure out is how there can be so many brilliant editors out there, and they aren’t picking up his book and getting it out to the masses. www.crossingthegap.com The only answer is that they want to lose money. [Secret: I’m really sabotaging his whole book effort so that he won’t be more successful and quit helping me with all our great endeavors. But don’t tell. Shhh.]



Noveltown: What is James?

Amy: Def. 1 Noun. A type of beany that women in the 16th century wore to signify their chastity belt was chaffing. A kind of call for help.

Def. 2 Verb. Being an adroit writer while writing derogatory remarks on a friend’s myspace site. www.myspace.com/jamesrspring (he needs more friends and please feel free to post rude comments).


I took this photo last night. That's my kid. We were all at Zingo's after his punk band, Dirty Spanglish performed at Studio 99. Those of you who know this truck stop cafe on Buck Owens Boulevard will understand when I say Moonpies and Moviestars is like taking your family to Zingos...

Noveltown: San Dee-ahh-go. Oh that delightful should-have-been-a-prose character, Anchorman. Such delights. Tell me, what does San Dee-ahh-go and First Friday mean to you? Only the real deal please about literary San Dee-ahh-go…

Amy: This is a hot question in San Diego now.

Someone (I won’t name any names, but a semi-newly appointed UCSD writing program professor) called San Diego’s writing community a sweet-smelling rotting corpse. She took that from the city’s namesake St. Didacus and the history she read on Wikipedia. A non-Wikiality version is that St D’s corpse was never rotting—that’s the part that got him canonized— and while his body awaited burial he emitted this sweet smell.

I won’t say that San Diego is the place where miracles happen, but I will say that the writing community is as vibrant as the freeway center-divider oleander in mid-May, and when the night blooming jasmine is wafting through the evening air, you can get a little loopy. I suspect we have to be even more disciplined as writers because we have to tell ourselves that even though it’s 80 degrees, blue sky and the orange blossoms smell sweeter than old St. Didacus, we must endure the indoors and write. Isn’t there some kind of suffering involved in that?

Whatever the reason, suffering or bliss, San Diego has some truly witty, insightful, original and poetic writers, all of which can be witnessed the first Friday of the month at First Friday Open Mic Prose reading. www.firstfridayprose.com

I started the First Friday ongoing event almost 3 years ago now at the request of San Diego Writers Ink (a writing organization extraordinaire— www.sandiegowriters.org ). The monthly event has grown stronger and wittier every month to the point we are SRO now—50-60 folks reading and/or listening. Anyone who wants to share their writing finds their way there eventually. San Diego Writers Ink sponsors the event and provides wine and cheese. But it’s the writing of the attendees that brings the crowd. That, and my stupid poodle-in-the-microwave jokes in between pieces.

It is strictly prose, no poetry (I can tell when anyone tries to sneak it in and the rest of the evening that writer will be punished by my enduring sarcastic harassment.) I added the prose-only rule because so many opportunities exist for poets to read. Hell, a poet can stand on a street corner and read. But prose readers go to an open mic and they usually feel ostracized. It’s like folks are whispering behind your back, “What, no meter?, no rhythm? No intonation? No anger?” Plus, prose writers ramble on and on. That’s why I instituted the 3-minute rule, to shut them up. It works and so does the whole fete.

I’ve limited the readings to 3 minutes each. The regulars have nicknamed me the Time Nazi because you get my black satin, spiked-heel DSW Ferragamo Knock-off in the ass if you go over 3 minutes. It’s become a competitive sport in editing, and the writing and readings have become better and better because of it. We’re soon going to have to start urine testing to see who’s been snorting Strunk and White and shooting up Liquid Paper before the event. It’s full of laughs, fast-paced and exciting to see glimpses of the great writing coming out of San Diego.

We now record the evening and post the readings as mp3s on our website for readers’ moms to listen in and any and all to download and peruse at their leisure. We also have a myspace spot we’ve just started and are looking for friends and fellow writers.

All this to say, First Friday is just one of countless writerly goings-on in this city of spic-n-span. Neither our nifty smelling corpses or the sunshine and green lawns made possible only by the man-made sprinkler systems has made San Diego alive and real with a scene. We don’t need the smog and grit of LA or the fog of London or the sludge of the Hudson River to produce art. We’re like the Nike tennis shoe of writing communities—we just do it.

Noveltown: Or the dusty smog of California's Great Central Valley. Ahem...

It’s clear the Los Angeles Times is in love with you, that Moonpies, if alive with little sugary arms, legs and noses, would be in love with you too, and that we ourselves, might be in love with you… But only if you answer our final question in a most truthful and honest way. Discuss your future and your next delving into comedy.

Amy: Viking asked me to do a series based on the characters in MOONPIES. So, that’s what’s coming next. Same characters, same bat channel, same bat cave, but new batman. The main character will be the sister named Loralva that is a major character in MOONPIES. She drives a school bus in the 2nd book. It’s due out at the beginning of 2008. I also have a couple of more book ideas swimming around in my head. James says I can’t say that because it makes people throw up. But I’m itching to get many books down on paper and out there. All I can do is do my darnedest to be a really good writer and if it makes people throw up then they need to see a gastroenterologist.

Noveltown: Thanks for being a truthful, honest, and real author with a sense of humor… We do love you.

Amy: I don’t know about real. One of my main ingredients is “cocoa processed with alkali.” At least that’s what it says on the outside of my package. Baked at Chattanooga Bakery in Chattanooga, Tennessee. Total Fat: 7g which is barely even 11% of your daily value though. And I have a marshmallow filling, which puts the non-fluff ranking of truthful and honest at risk. I’m not a Trans Fat and admit that I prefer to stay saturated.

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Robin Slick talks to Noveltown about Big Apple Books and Erotica - By N.L. Belardes


Robin Slick... Erotica or Chick Lit writer?

If I were to crown the most wickedly delicious queen in all of Philly, I would have to give the crown to Robin Slick. Why? Simple reason. Robin Slick has one of the most fabulous names ever for a writer. It’s not long, or drawn out, or overly flamboyant. It’s hip, urban, and has, dare I say it, sex appeal, in a nicely naughty way of course. You have to love the way the name rolls off the tongue.

Robin Slick’s
real name? It’s probably something long like Yaminslickovich. Only Robin can tell. But would she? Though Slick writes on-the-edge fiction teetering, and often full on diving into erotica, she is as mysterious as her fiction. She spends time writing books, writing blogs, hovering around LitPark.com—not in a bad way of course—though I would say she lives up to her stylish name—a devilish comment here and there. She’s clearly a blog addict, as even admitted as much in an interview on Susan DiPlacido’s blog, “Sometimes I wonder if I wouldn't be happier as a non fiction columnist. All the energy I used to pour into my writing at 5:00 a.m. every morning I now spend blogging.”

I know the feeling.


Get her book...

Slick self-labels her fiction as “Wickedly Delicious”. Oh it is. Her characters are both sexually conniving and humanly complex. She’s written several published books, including Three Days in New York City and Another Bite of the Big Apple.

How can Robin Slick and her erotic fiction be so mysterious? Believe me, there are mysteries surrounding Slick, her real life and her prose. Let’s dig right in…

Interview:

Noveltown: Robin, I read Three Days in New York City. It’s a story of a woman discovering more than she’s just unhappy with her TV twisted jock husband. She discovers her sexual hunger and her artistic self-center. I’ve read that you don’t really like the erotica label. Is this true? Because, if that book isn’t erotica, I don’t know what is. Straighten me out here.

Slick: Oh, okay, okay. If I’m forced to label the book, and I totally despise labeling, it’s erotica because of all the graphic sex contained therein, but since you’ve read the book, you know that said graphic sex was an integral part of the story and there was no way I could whitewash it. But because I also edit for my publisher and erotica is what they primarily publish, I know it’s not formula erotica because that stuff makes me cringe. I’m serious. When I sit down to edit for my publisher, I don’t get turned on, I get nuts. Where is the sparkling dialogue? The humor? The unique, interesting characters? Oh, right. This is supposed to be about sparkling, unique sex. Okay, yeah, I guess this novel I’m editing contains all that. Interesting. The ones that make me cringe the most are usually the best sellers because they are all sex and that’s what the readers who make up a good portion of my publisher’s fan base are looking for. But seriously, don’t you think Three Days in New York City is really is a chick lit comedy with a sort of warped baby boomer coming of age back story? When I was sending the book out to agents four years ago, I was told the same thing over and over again. We love this but it’s not marketable as is—either take out the sex and make it mainstream or market it as erotica. I was like, Huh? Why can’t it be both? But damn it, my timing was off. A year or two later, erotica suddenly became big business and if I were to sub that book now, I’d probably get a totally different reaction. Anyway, there was no way I could take the sex out of that book—besides, I think the some of the sexual scenes are laugh out loud funny and totally in line with the character/plot, etc. —so I was a rebel and decided to start subbing it myself to small, independent publishers. And that worked. Mundania/Phaze grabbed it, and it was a best seller for them. They came to me and asked me to write a sequel, which I totally never intended to do, and that book (Another Bite of the Apple) been in the top five rated erotic books over at Fictionwise for the past six months. And that’s got way less sex in it than Three Days, trust me.


I stole pics from Robin's Photobucket. Is this Monty the wonderdog?

Noveltown: I was poking around at past interviews you’ve done and I read that you once received 500 emails for threatening to quit your blog, www.inherownwrite.blogspot.com. What particular book or event has caused such popularity? Or should I just start writing about sex to build my audience. Feel free to call me a shallow male.

Slick: Well, I’m pretty lucky because I can draw on my audience from many different places. When I first started the blog in 2004, my readers were about a hundred or so parents and kids from the Paul Green School of Rock Music because I spent the first few months blogging a novel I was writing about them following a two week west coast tour in which I participated as a chaperone for my own two kids, who were just graduating the program at the time. (I’ve since deleted those posts…see answer below).


School of Rock! School of Rock! One of these beautiful people is really Jack Black.

At that time, there was only one Rock School and it was in Philadelphia. Then they went corporate (argh) and they opened up something like thirty branches nationwide and I inherited all of those students and parents from all over the country who would google “Rock School” and find my blog. My big break came when the Picturehouse documentary “Rock School” featuring my kids was released internationally in theaters during the summer of 2005. I landed a bunch of readers who were not only movie fans but diehard Eddie Vedder/Pearl Jam, Jon Anderson of Yes, and Heart fans because my kids played with them at the movie’s premier parties – everyone who googled Pearl Jam or Yes, etc. found my blog because naturally I told little stories about having pizza with Eddie Vedder and posted accompanying photographs I’d taken. In 2006, when Adrian Belew hired my son and daughter to be his new power trio, I got a gazillion more readers from prog rock forum boards all over the world. My son, Eric, is also drummer for Project Object, a Frank Zappa tribute band featuring the original members of Frank Zappa’s band so then I got a strong Zappa fanbase visiting me daily and let me tell you, there are millions of them – who’d have thunk it? So combine this with all of my connections in erotica land – my readers, other writers, as well as all of my friends/editors from Zoetrope, which is a mainstream on line writing workshop sixty thousand strong…and well, it all just multiplied. And for the piece de resistance, when I thought I “discovered” Neil Gaiman and started writing about him…well…next thing I knew I was up to 10,000 hits a week. And then last month, I won fifth place in the Best of Blogs 2006 Award (www.inherownwrite.blogspot.com), diarist, and my numbers skyrocketed. But the million-dollar question is: Are any of these blog readers buying my books? God I hope so. My royalty checks have been decent at times so I’m hoping that’s the case. But it’s a struggle for me because I really do find I prefer writing about music and my kids’ careers a lot more than hawking my books. God I hate that part of the process—being a saleswoman, that is. I’m more of an oral person…err…I mean, word of mouth via people who have read my book is the sales method I prefer but then again, that’s me living in fantasy world, huh.

But yeah, last month was my biggest month on the blog ever—I had 125,00 hits between December 15-January 15. That’s Neil Gaiman territory, baby. Oh god, now I feel guilty. I really should be talking up my books more, as well as those of my friends. Note to self: At least do it weekly for Christ sake, you slacker you.


Does Robin kiss and tell? Does Monty?

Noveltown: OK, so I read more of your interviews than I probably should have. But you called your works in progress, Chick Lit. And then you went on to talk about how you pop open some wine and then add all the gooey sex to your stories when you write them. So really, you don’t write erotica, you write sex-revved chick lit? Either way, I read your work fairly quick. I had to know what happened. Call me shallow, again, please.

Slick:
Okay, Shallow be thy name. Yeah, it’s true. I can’t just sit here at the computer stone cold sober and write about down and dirty, nasty sex. Masturbation, yes, sex no. (Why is that, she asked, holding her wrist in agony and wondering if she has carpal tunnel syndrome) So, like I said above, I really don’t consider myself an erotica writer at all. I like writing about twisted/contemporary relationships but since I’ve been successful writing about sex, I drink the wine, close my eyes, and go for it. But I think those days may be over—I’m currently writing a mainstream novel.



Noveltown: As I bestow you with a crown for being the most wickedly delicious queen in all of Philly, I have to ask, is Slick your real name?

Slick:
Yeah. Well, it’s not my maiden name, it’s my married name. My husband is a cousin to Jerry Slick, Grace Slick’s ex-husband. It’s been funny to see how this has been whispered down the lane when I google my kids. I find everything from “Hey, Eric and Julie Slick are Grace’s grandchildren” to “their mother is Grace’s sister”. Pretty bizarre. And of course, oddly enough, David Bowie had a guitarist named Earl Slick… I’m not sure about this, I should probably hit Google, but I believe Earl came on board with David after Adrian Belew left. So poor Eric always gets confused with Earl. “Eric Slick plays drums for Adrian Belew? I thought he was David Bowie’s guitarist? When did he change instruments?” It’s all kind of weirdly incestual.

Noveltown:
On to the subject of character development. How do you explore? You seem like a wanderer, like your main characters. I mean, you may sit still when you write your blog, but in reality it’s an exploration of your life and rock and roll, and of your mini-travels.

Slick:
Oh, without a doubt my mini-travels and tours are the total basis for most if not all of my work. In my current still not quite finished novel—which is about a former groupie/hipster who struggles to come to terms with middle age and a faltering marriage when she reconnects a legendary guitar God from her wild past while accompanying and allegedly chaperoning her young rock star offspring on a tour across America—I directly drew from my experience from the west coast Rock School tour of 2004. Hence why I deleted the aforesaid posts in my blog—I did need to use some of that stuff in my current novel though I trashed most of it.


Monty, what are you doing?

Noveltown:
And settings? How does you chose a setting like New York for your stories? Do you just say, “I want to write about New York?” Or what…

Slick:
Err…I spend a lot of time in New York. And even living in Philadelphia, I’m a city girl (I live downtown), so I write about what I know. And frankly, I write what I personally would want to read. I know this is going to make me sound shallow (hey, we can be Mr. and Mrs. Shallow), but I could care less.

Noveltown:
Last question: Are obsessions a part of your life and part of your stories? I mean, maybe stories are your obsession, but I think you’re a lot more complex than that.

Slick: Well, I’d be lying if I said I don’t get obsessions. And I’m an equal opportunity obsessor—I get fixated over everything from food to sex to music to certain authors living in Bakersfield, California. I mean, I’m not a stalker or anything, but once something or someone interests me, they kind of take over my brain and yeah, I need to write about it. Or them. Or him. Whatever. But do I need to be obsessed over something to write? Nah. Though…hmm…on second thought…my best writing comes from my various compulsions and at the moment, the well is dry. Maybe that’s why I’m currently in limbo.

Okay, that does it. Obviously I need a new obsession so I can finally finish my novel. Any takers?
***************************
You can add Noveltown on myspace at www.myspace.com/noveltown

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Booksquare asks: “Do Publishing Houses have a future?” - By Melinda Carroll

Do Publishing Houses have a future? It’s an interesting question. With the wider range of publishing options authors have, Kassia Krozer of Booksquare talks about the future of big publishing houses and how they will have to evolve to compete.

Kassia Krozer writes:

“Most books simply aren’t marketed, at least in ways that impact the reader. Most books are dumped on the market and told to sink or swim.

Publishers will distinguish themselves with editing and marketing skills. Editing, we have decided will gain new importance in the future world — an about-face from today’s bottom-line, shareholder driven model. In a world where anyone can throw up their work, it will be the good stuff (or the most salacious) that attracts a wider audience. We might chide today’s youth for their casual approach to things like punctuation and spelling, but complete sentences and words that are not one step away from initialisms will continue to matter. Good editing will continue to matter.

Marketing, too, will be an asset offered by publishers. As we all know, today, most books simply aren’t marketed, at least in ways that impact the reader. Most books are dumped on the market and told to sink or swim. This is an inefficient way to run a business, but that’s how it’s always been done in publishing, and only the future — that future with more competition and more at stake — will change this. Once committed to the notion of fighting to acquire and retain authors, we believe that publishers will find new and creative ways to market the books these authors write.

Publishers must, necessarily, adapt to new processes to grab an increasingly fragmented audience… We are not sure that publishers — the big entrenched ones — fully understand how to go about this. Time and again, they miss what’s going on, they lack the key ingredient of today’s online culture: authenticity.”

(Read the full article)

Krozer brings up good points. I think this is why more and more authors today are turning to Indie publishers like Noveltown. Indie publishers work more closely with their authors, pay more attention to editing and find creative ways to market books and reach readers. Books aren’t just thrown on the market to sink or swim with Indie publishers like Noveltown. Rather authors and books receive individual attention to make each book as successful as possible when every dollar counts.

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The Making of an Indie Press Part One. Is it self-publishing? And what’s the DIY battle in the literary world all about? - By N.L. Belardes



(NOVELTOWN 2.0 is on the way, an entire DIY marketing campaign filled with lights and attention-seeking fanfare… more on that in another post. Coming real soon!)

Self-Publishing Scam Can Hurt Indie Writers

There’s a trend going on in the literary world: Indie writers with books fighting through the masses, swinging as they go. They need you. And Indie publishing companies need support too.

Maybe you’re just a reader who wants to support. Maybe you’re thinking about starting a press. Maybe you’re a writer who wants to get published. What do you do? How do you even start the fight? And what are you fighting for?

If you’re a writer maybe you’re confused. Do you send your book out into the world to slog through commercial publishing rejection swamps? Do you invest your own money in self-publishing? Or, do you take it a step further and go the Indie route: submit or start your own company? What’s the damn difference?

Right away you need to get it straight. I may have published my own novel through Noveltown. But I didn’t use the fly-by-night iUniverse, Authorhouse, or Lola (kings of print-on-demand publishing). I self-published once before and that’s a killer headache unless you’re already famous or have thousands of dollars at hand for a publicist. Even my old agent who died in a car wreck had negative remarks about print-on-demand self-publishing. In 1999 he was on special assignment for ebooks & print on demand publisher, iUniverse. Yet he would call me on the phone and rant and rave about print-on-demand services being a scam.

Why the hell did he do it? He had friends in high places and probably needed a paycheck.

Those places are rape artists, scamming potential self-publishers who waste their money creating a couple of books to throw on a shelf. There’s no marketing involved from the publisher perspective, and it’s a very hard road to even make a splash in the literary community. I learned the hard way by self-publishing The Blimperwhirls. Notice I don’t promote that book on here? Why should I? I see no profits and iUniverse is just a big phony wanting people to invest their money so that print-on-demand houses get fat pockets.

Noveltown, an Independent Literary Publisher

So I took DIY (Do It Yourself) axiom to the next level. I created a company and expanded my vision. Noveltown was born out of the fight to help all Indie people. 99.9999% of the artists Noveltown has promoted are self-starters, self-publishers, self-creators: TOTAL DIY… That’s the media side of Noveltown…

Why do you think I have been talking about World Wide Spies? DIY. The Filthies: DIY.

Noveltown is publishing other authors, that’s the literary side. One of the biggest and most exciting secrets Noveltown entertains is: who will be our next author? Do we even know? YES.

It won’t be me, thank goodness. Lords: Part One was an experiment of the Indie and self-promotional kind. Noveltown had just started out. None of us with Noveltown knew the business. We couldn’t afford to take a risk with anyone else’s book. Who wants a potential flop using someone else’s art? So we used a controversial novel to kick some life into Noveltown and to stir up controversy. It’s done a decent job. We’re ready for the next step: NOVELTOWN 2.0… (More in another post)

Join the Indie Fight


Should we beat ourselves up over books?

Maybe all you know is that you need to join a literary fight somewhere. There’s room for lots more warriors. I can tell you that NOVELTOWN 2.0 will be trying to recruit you all…

But more on the Indie fight…

I’m part of the fight, Noveltown is part of it, LitPark is on board. Many fans and writers we’re affiliated with want to change the literary world as part of an Indie fight to help folks have success in a commercially dominated literary world.

In a way, it’s LIT FIGHT CLUB. Us against them, us against ourselves and the world, us against the spirit of rottenness that’s out there in big lazy television-filled living rooms that says: books are boring, pass the potato chips, send me the football stats and throw me the remote control.

Why spend all your time watching TV when you can spend your time creating change?

It’s not just a music revolution out there. Indie houses are making waves because of the ability to pay attention to marketing one book at a time.

Fighting to Reach the Few Readers in the World


This can't feel good for very long... or can it?

The Noveltown blog is part of a fight to gain readers for literary fiction and non-fiction in general (not to mention music, the arts, etc). When a mere 3% of the population is interested in books, something has gone wrong. Is it with you? With me? With our parents? With my parenting? With our ability as a society to read?

Axioms I seriously live by:

1. If you want attention, start a fight - Blanksy.

2. When the fight begins within himself, a man’s worth something. - Robert Browning, 1855

3. This is your life, and it’s ending one minute at a time. - Chuck Palahniuk, Fight Club, Chapter 3

4. I just don't want to die without a few scars. - Chuck Palahniuk, Fight Club, Chapter 6

5. Great things are not accomplished by those who yield to trends and fads and popular opinion. - Jack Kerouac

The Physical Making of a Company Through Building a Book

Noveltown finally took shape in 2005 when we decided to go forth experimenting with publishing Lords: Part One. We figured it was a hot topic, that the book could be utilized to raise capital to publish other writers.

Which writers?

You’ll see.

The process was tough. But we thought: doable.

We had to figure out how big the book would be. We used a copy of Jack Kerouac’s Desolation Angels we had lying around. 5 inches by 7.75 inches looked good for several reasons: It was smaller than the 6 x 9 print-on-demand scam format, and we thought it a good size for the page count we had.

But where to print? What kind of paper? 2-color? 4-color process print job? Grayscale? What kind of paper for the cover? How did we buy a bar code and ISBN number?

We started talking to friends in the industry and were finally recommended a printer out of China. We decided grayscale was a good choice since the cover was a foggy depiction of youth gone wrong.

What about design layout? We used Adobe InDesign and mimicked layouts from favorite books. I took the cover photograph in a living room with a fog machine blasting mist into the photo’s surreal textural background. The camera was a wimpy off-brand digital piece of crap. Yet the photo works. We think it’s a good cover.

Paper is always a tough issue. We went with a nicer stock. We found out how to buy bar codes and ISBN numbers from friends in the publishing industry. Easy enough.

Money for publishing?

Money is money and is tough to come by when you’re only three people in Bakersfield with a literary vision of a publishing company. Especially with an Indie publishing company. A few people accused Noveltown of being a vanity press, or self-publishing whores—the works. Some idiots still don’t know the difference and yet are DIY themselves. As if DIY can’t affect books. DIY isn’t just about music, theatre, fine art. It’s about all the arts. Every self-publishing accusation I read has stemmed from disgruntled readers of the controversial media blog, Paperback Writer.

So, is Noveltown a real company?

Yes. Does Lords: Part One have an ISBN number and Bar code? Yes.

And yet, early battles on the Paperback Writer blog took place as a defense for local artist self starters, self-publishers. I’d love to see the stats on how many musicians out of cities like Bakersfield are actually signed to a music label? I’m guessing 99.99% of all Bakersfield bands have burned CDs out of their living rooms and spent their own money having albums professionally made.

We’re still learning and have a long way to go.

So we scraped up and fronted most of the cash. I sacrificed getting a car so I could follow the Noveltown dreams. A few hundred trickled in from friends.

Thank goodness chingpea and Matildakay are part of Noveltown.

That makes three people in the fight. They help promote, make phone calls, do the accounting, and pick me up when I’m fighting and slogging through the blogosphere.

I said it was lit fight club, right?

We’re still find answers and solutions to the complex process of creating and selling books.

Solutions and answers for a young company: You!

We’re getting somewhere. Last year we converted the Paperback Writer blog to the official blog of Noveltown. It was a marriage waiting to happen.


Samurai swords, boxing gloves, a blog and books... that's us!

That’s risky in itself: a business with a controversial blog. We didn’t want to keep the two separated anymore, especially after Malcolm Margolin of Heyday Books called the Paperback Writer blog the “Paris of the Central Valley.”

That’s a big compliment and tells us that both the blog and Noveltown are going in the right direction.

Literary agent Erin Hosier of the The Dunow, Carlson, & Lerner Literary Agency recently wrote in an email:

“Paperback Writer is by far my new favorite... I am so impressed with the loyalty of its readers and the conversation Paperback Writer generates. So good for books.”

Did you catch that? It’s the community of readers who enjoy the blog and the books. That’s you. You make the idea of Noveltown work and we appreciate you.

Erin just sent me a new book to review. I can’t wait to dig in. And I can’t wait to write about NOVELTOWN 2.0. It’s all about you and community making a difference.

After all, I believe books are one of the deepest part of our cultural lifestyle that we can embrace.

We have to sell our stock of books to build our niche of Independent literature in Bakersfield. That means we need your help. Will you tell a friend? Will you help? Ask us how and give feedback by leaving a comment.


Help us grow so we can publish our next book!


More on Indie presses in part two: NOVELTOWN 2.0…

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The myth of Brad Alexander and my Joseph Campbell Star Wars book - By N.L. Belardes

Does your life ever turn full circle? Can you trace your past and connect dots? One moment today strangely connects to another point in your past that you thought was completely isolated?

I recently spoke to a relative of Joseph Campbell. As soon as I heard the name I thought of the book by him I once owned, The Power of Myth. You know the book, right? There was a six-part PBS/Bill Moyers series that recorded interviews between Lucas and Campbell on Skywalker Ranch. All six one-hour episodes were recorded there and aired in 1988, the year after Campbell died. Campbell discusses at length the role of myth in human society.

I used the book as reference when writing my own myth: The Citrus Girl. There’s even a few Star Wars references in the novel. The novel sits in a dusty cupboard. Hardly anyone has read it. I don’t know why I hoard it. Fear probably.

At work, when I sit at my desk I always see, “Brad Alexander”. A day doesn’t go by that I don’t glance in the direction of his shadowy name. The cover on my Rolodex has slipped off and his is the first to appear. I don’t throw it away for a few reasons. One, some people you don’t want to forget, and two, I’m too lazy to just grab the card and toss it.

The last time I called LucasFilm they acted like they never heard of Brad Alexander. How could that be? He’d just worked on a few Star Wars films and games. He was supposedly responsible for portions of CGI in the cantina scene and the weird millipede creature that crawls on Amidala. I often wondered if he worked on some of the lighting on the giant Wookie battle… he may have set the mood entirely. Emails bounced back too.

The receptionist said she never heard of Brad Alexander.

It was a cover-up.

And a lot like chump Brad’s own cover-up of the book I loaned him years ago while at Up in the Air Productions out of Las Vegas working on Fremont Street Experience sound-and-light shows. There was Brad, a snotty-nosed kid right out of the Air Force. We talked Star Wars. I mentioned the Power of Myth book. He needed to read it like a true Star Wars junkie.

So I loaned it. I just never got it back.

I talked to another buddy of mine who had a lead that he was working on War of the Worlds. I had no leads, so I gave up trying to find him. According to the IMDb database, it looks like he not only worked on War of the Worlds, but moved on to Underworld: Evolution, X-Men: The Last Stand, Ghost Rider, Evan Almighty, The Kingdom, Transformers, and Avatar. And it looks like Brad Alexander has moved up in the world of Animatics and pre-visualization.

A short bio on IMDb reads:

Throughout the workday, he is completing a series of tasks including rigging and animating a digital character, texturing and lighting lavish realms, modeling a creature or character, and 2D/3D tracking.

Alexander often begins his day organizing what needs to be done, whether it be creature modeling or animation. Sometimes he is expected to show his progress to Lucas who visits the Animatics office on a daily basis.

"My favorite part of the job is being able to work directly with George on sequences one-on-one and learning his way of making the masterpieces he does," Alexander says. "Learning the aesthetics of filmmaking from him as it is created in real-time is the most incredible thing."

I often wonder what that book helped form in Brad’s own mind about Star Wars. And all the notes I’d written in the margins—my own theories and ideas of myths, heroes and the nature of humans.

I don’t hold anything against Brad. He’s just one of those old pals you lose sight of then gain glimpses of again in memory.

Such strange circles.

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New Noveltown contests are on the way? - By N.L. Belardes

Bakersfield's Indie press, Noveltown (That's us) is gearing up for some cool contests. Get ready. Get your thinking caps on. Get your game on... Keep checking the Noveltown site for details... go there now for some hints...

You ready?

-n.l.

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Book Reviews

  • Amy Wallen - Moonpies and Moviestars


  • Bonnie Hearn Hill - If It Bleeds


  • Brad Listi - Attention. Deficit. Disorder.


  • Cynthia Langston - Bicoastal Babe


  • Hazel Dixon-Cooper - Love on a Rotten Day & Born on a Rotten Day


  • Josh Amatore Hughes - Punk Shui: Home Design for Anarchists


  • Lacey Alexander - Voyeur


  • Lara Tupper - A Thousand and One Nights


  • Lauren Baratz-Logsted - Vertigo


  • Lisa Crystal Carver - Drugs Are Nice


  • Mike Madison - Blithe Tomato


  • N. Frank Daniels - Futureproof


  • Nicholas Kulish - Last One In


  • Pati Poblete - The Oracles


  • Robert Scoble & Shel Israel - Naked Conversations


  • Robbie Byrne - Mulligan's Pennies


  • Robin Slick - Three Days in New York City & Another Bite of the Big Apple


  • Samantha Dunn - Women on the Edge Writing from Los Angeles


  • Sarah Thyre - Dark at the Roots


  • Steve Alten - Resurrection
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