<body>

Paperback Writer: A Bakersfield, California literature, music and news blog

First 200 Tweets From Twitter Novel "Small Places" - By N.L. Belardes

Now you can read the first 200 tweets from the twitter book "Small Places" (twitter.com/smallplaces) in order. It's actually the first seven chapters.

One.

Pre-Twitter: Stand by for first transmission. This is the fiction novel, "Small Places." The story will begin shortly... 05:31 PM April 25, 2008 from web

Twitter 1: I’ve grown to like small places. I like bugs, bug homes, walking stick bugs, blades of grass, ladybug Ferris wheels made out of dandelions.

Twitter 2: I like puddles, segments of reflections in dew and the parable of the bagworms I once made up. I’ll tell you later.

Twitter 3: On the other side of my apartment window is a dirty grey compartment of Central California sky.

Twitter 4: It's right there; just on the other side of a wall, through a piece of glass, through an unopened doorway, even beneath cracks in the floor.

Twitter 5: Endless grey corporate sky. Above valley cities, cubicles of dirty air. I can see the grey, can practically taste a chunk of cottony smog.

Twitter 6: I tie my shoes. No great mystery about this cul de sac. Southern valley catcher's mitt of mountains harbors the worst air in the nation.

Twitter 7: Just read the headlines in other cities. You won't necessarily read it here in this all-American city, though everyone around here knows it.

Twitter 8: What else can I do but shut the door behind me and start walking? I don't have a goddam car. And yes, it's because I'm not well paid.

Twitter 9: The grey skyline doesn't tower too far above wide, empty streets. From several blocks away I can see Buildicon Enterprises.

Twitter 10: Buildicon uses a four-story bank as its home base for product development, marketing, tech support and shipping.

Twitter 11: I see a line of ants on the sidewalk. They seem to be walking to Buidicon. I imagine them taking my place, in cubicles, hardly working.

Twitter 12: Boxy, the structure looms above the dirty horizon. Lines of ants spill into gutters and cracks. A leaf is carried with them like a stretcher.

Twitter 13: I imagine myself falling down exhausted, shrinking, lying on the leaf and carried into the darkness of small places.

Twitter 14: I'm not thinking about Mulani, not right now anyway. I pass a school auditorium, looks like a Lego. It's haunted complex is ripe with ghosts.

Twitter 15: When I get near Buildicon I stare up. The windows are dirty, dusty. I walk through the parking garage to the foyer. Bankers, lawyers pass.

Twitter 16: Then I see faithful Buildicon workers--all people like me who infest this building. I silently curse the elevator. The doors open. I step in.

Twitter 17: I beg for this to not be the time I get stuck as it chugs toward the third floor. "Please, not me today. I didn't eat a hearty breakfast..."

Twitter 18: Elevator sickness... Are there rooms ants hate, that grubs detest? A type of wood chamber for a termite--a moment when a cocoon is a prison?

Twitter 19: "I don't care if I get stuck in the elevator. As long as you do my work." That's what Mulani, a true time-managed Buildicon employee, says.

Twitter 20: Such kernels of truth are nothing a Rolex after five years of faithful employment can fix. The doors swing open. I walk toward marketing.

Two.

Twitter 21: Perfectly compartmentalized sits endless cubicles with computers in each, all cozily networked, each with a chair fit for lumbar support.

Twitter 22: On each desk rests pictures of Buildicon's idyllic families, all non-management: husbands hugging wives, children with perfect white teeth..

Twitter 23: Cork boards are filled with exotic faraway images of Modesto, Fresno, Van Nuys and California City--the desert town that never grows.

Twitter 24: Desk cities: Kleenex boxes, staplers, tape holders; endless stacks of paper dotted in red ink. Burger King toys that can light up and spin..

Twitter 25: At my desk now thinking about Frederick Taylor. He's the bastard from yesteryear who was so efficient with his hard-on for time management.

Twitter 26: How much time did he waste picking up shovels? The average Joe will always find a way to dig a hole and dog work at the same time.

Twitter 27: It's what all of us clockwatchers do--we are humans and not automatons. I sigh. It's another day at the office...

Twitter 28: So I just wrote an email to Mulani. I realize she hasn't been efficient in relationship with her asshole husband. Note: look up fungible.

Twitter 29: He's a semi-pro soccer player who just spent more than a year overseas screwing God knows how many South American prostitutes and bimbos.

Twitter 30: You'd think missing the birth of his kid would've pissed off Mulani. Or his lack of phone calls…

Twitter 31: Or his once-in-a-blue moon insincere jests of marital love (just after brothel moments). A clear indication of an inefficient marriage.

Twitter 32: There's so much more. But my point? You're right. There's no efficiency anywhere. So I spilled my guts in an erroneous work-related email:

Twitter 33: ...I guess there's always some idiot Jodie Foster around who develops feelings for the monster, knowing full well the man ate brains...

Twitter 34: Pondering: If sex were efficient it would take two seconds. We would all be monkeys, humping, then eating leaves and worms and lazing about.

Twitter 35: So Mulani took it from me for hours in our three, count them, three non-work related escapades. Efficient? No. Time consuming. Yes.

Twitter 36: Taking a break that's supposed to only last an hour and coming back sweaty, smelling like your sexy workmate, that's an efficiency problem.

Twitter 37: I compromised my integrity. I hoped she'd say, "I'm leaving him. I love you," then hold my hand and see the great waterfalls of the world...

Twitter 38: That's the web of adultery: inefficient babbling of one gorilla to another while pumping on an ass, eating leaves. I'd make a great monkey.

Twitter 39: When people are at work, do they think about work, or are they thinking about sex, blowjobs, touching, caressing, lunchtime shenanigans?

Twitter 40: Lollipops are the oral dose of sexcapade medicine that's legal in the workplace. I'll take a red one.

Twitter 41: Why does the company secretary keep a copious supply of lollipops on her desk? Company prez says, "I need a form." She licks her lips. They’re doing it.

Twitter 42: And so the candy, the lollipops, they keep workers working along with their abstract naughty thoughts... Enough. I have to go to a meeting.

Three.

Twitter 43: Of the eight people in the meeting room who appear to be in a state of cryogenics, three of us seem worse off than the rest.

Twitter 44: Vishnu rolls his eyes as if slowly awakening from a month of freezing-tube paralysis. There’s no hope for him.

Twitter 45: His karmic voyage to a land of the sleep gives him a strangely peaceful look as if he's an all-wise half-listening webmaster from New Delhi.

Twitter 46: I glance at my watch. He's at least thirty minutes from point of consciousness.

Twitter 47: Mulani is half-Chinese, a valley girl all the way with her pigtails and bubblegum chewing. She's lost to the marketing manager's monologue.

Twitter 48: In her wide-eyed state she concocts a plan to make it with Michael Jordan. She's knows kissing me put her at only 2.5 degrees of separation.

Twitter 49: How do you break into 'no' degrees of separation? I wonder with her. At least we're brainstorming. "He's old," I said at lunch yesterday.

Twitter 50: She set me straight, said Joan, our project coordinator, is in lust with Sean Connery. "And he's at least three times Michael Jordan's age."

Twitter 51: Is my heart rate in the low 30s? As our marketing manager “Blahs” I think about the Giant Root Borer, the largest beetle north of Mexico.

Twitter 52: Our marketing manager's name is Milt Butterlink. He's the proud bug-like corporate embodiment of a big dumb B-movie monster bug.

Twitter 53: Never before has such a re-animated corporate dialogue risen from such a cramped meeting room insectoid. He is what Buildicon emulates.

Twitter 54: Milt Butterlink: As I fall asleep, this is the man who has prepared pages of notes simply to unravel the mystery of the color orange.

Twitter 55: "Team, we'll get a new color though I know you're attached to your tangerine polos. Orange is an out-of-fashion corporate color faux paus."

Twitter 56: Milt Butterlink was beginning to look more wooden, like a stick bug. Like five stick bugs all wrapped into one, with large pine cone hands.

Twitter 57: He's got big grey eyes and large lips; his cheeks puff out above a weedy sidewalk of chest hair that springs up through his v-neck.

Twitter 58: His hands don't look like flesh at all but dry and wood-like (pine cones), as if unfinished, stuck onto his body: lost boy bug monster.

Twitter 59: God only knows what he does with those hands in the Greenhorn Mountains, where he commutes from everyday and lives with his wife and two small children.

Twitter 60: He's probably digging a tunnel to nowhere with those bare wooden hands like shovels. Very time efficient. Very Frederick Taylor.

Twitter 61: Today Milt passes out another document. In case you didn't know, he's the one who puts us in our cryogenic state every Tuesday.

Twitter 62: There are always two boxes of donuts that we inject straight into our bloodstream so we can crash at just the right moment of diatribe.

Twitter 63: I imagine myself in the middle of the conference room table--the donut my life preserver. A current of normalcy pulls me out of the room.

Twitter 64: I wash ashore where marketing is of the cowboy and jeans 'no bullshit' variety. Mulani senses my imagination and showers me with smiles.

Twitter 65: Back to semi-reality, Milt pushes papers in front of us. Always scheduled at 11 a.m., our weekly meetings never start until lunchtime. Why?

Twitter 66: Reason No. 1: Milt sends an email to the entire marketing department at 11:19 a.m. stating, "I want you all to be freakin' superstars."

Twitter 67: Reason No. 2: Meeting has been delayed because he needs to discuss, er, micro-manage magazine ad designs with me, Joan and Mike Neversmith.

Twitter 68: Why is it important to tell you? Because this happens every day, five days a week, blah blah weeks per year. Every single grey cubicle day.

Twitter 69: Milt Butterlink is always second-guessing himself, his intentions, his copywriting, his morning coffee flavor, but not always in that order.

Twitter 70: I imagine a small place in a bug colony. Milt, with no feelers would try to lead us to the productivity room. We'd end up eaten by birds.

Twitter 71: Milt only uses ideas he steals for his own. He passes those straight on to the company president. That would be the enterprise level.

Twitter 72: Milt's Document: "Caterpillar Marketing Plan: Budget and Style for Buildicon's Gadgetary Future." Milt has an excitable look on his face.

Twitter 73: It's an energy no one in the room draws from. His eyes twinkle with nonsense as he leans in to let us know he is working on a major project.

Twitter 74: "This is the most important document to come out of Buildicon. Any leak, our competitors could destroy what is noble and true about us."

Twitter 75: I look at the document. It's gobbledy-gook can't be interpreted. I suddenly imagine caterpillars crawling out of Milt's ears.

Twitter 76: I sketch an image I know he thinks are notes. If I can stay awake long enough to finish I might put it in a frame and hang it above my desk.

Twitter 77: "Is this a marketing plan that crawls all over you?" whispers Joan. It could be a real insecticon Buildicon modicon. I keep drawing.

Twitter 78: "Ha! You guys are all geniuses and yet you're not getting the picture. I don't mean caterpillar in the insect sense of the word," says Milt.

Twitter 79: He thinks we're all idiots because we didn't attend NYU or have lunch at the World Trade Center before it blew up.

Twitter 80: “They’re not cultured,” he says to the prez behind our backs. “They’re small timey, loosey goosey and flashy pants non-extraordinaire.”

Twitter 81: He just wants us to be freakin’ superstars like him. This man who supposedly once made chocolate macaroons with the likes of Bo Derek…

Twitter 82: This man who claims to have single-handedly invented all Adobe products, and who once walked on the moon in a G-string Soviet flag--he was looking for some Cosmonookie.

Twitter 83: Milt: "What I want to tell you is we are like tractors. We're not bugs. Everyone here plays a vital role in unearthing our marketing core."

Twitter 84: All I can gather is I'm some kind of marketing backhoe operator and I need a hard hat to withstand Milt's dense communication methods.

Twitter 85: I'm starting to lose consciousness again. Vishnu looks fish-like. His eyes roll and bulge. The gills I imagine on his neck twitch and gasp.

Twitter 86: Milt: "Let's get to advertising." Micromanaging his creative team means we don't create a piss in the toilet. He doesn't realize this...

Twitter 87: So he begins to criticize his own advertising tag lines, “I want you all to know that too many catch phrases can make you sound like a real trinkydink kind of a company.”

Twitter 88: I write furiously in my notepad. I've been putting together a book of senseless micromanager quotes and Milt has just laid a doozy on me.

Twitter 89: It's right up there in the cloudy angelic fields of marketing nomenclature: "A trinkydink kind of a company." I'm almost jealous.

Four.

Twitter 90: Guy: hair stands on end, metal glasses on a long pale nose, faded Hawaiian shirt and book, "Massage Mataphysics" tucked under scrawny arm.

Twitter 91: He follows me. I get a hot dog and he's reading that book. I'm in a cafe looking for a muffin with more than two blueberries. He's there.

Twitter 92: The next day I see him just as the Winona Ryder look-a-like girl behind the coffee counter says: "My boyfriend has a catheter."

Twitter 93: She continues: “It’s a skateboard injury. The skateboard stood straight up on him in the half-pipe and he injured his dick. Want the usual?”

Twitter 94: I grimace and notice Kramer reading the same book and finally realize he works less than I do. He must be an extraordinarily agile downtown business escape artist. How can I get away with more?

Twitter 95: I want to become efficient as such an expert corporate Houdini. Alakazam! Alavamooshka!

Twitter 96: I can't get away from time: 8-hour day, 1-hour lunch, two 10-minute breaks, boss comes in at eight, I come in at seven. I'm a bug. Stomp me.

Twitter 97: Second day in a row: "...catch phrases make for a real trinkydink kind...," Milt's glazed eyes stare wide-eyed at a sleepy marketing group.

Twitter 98: His dark brown hair is a mess. He's wearing yesterday's Benetton sweater with multi-oranges, greens, blues, purples. A dull Japanese beetle.

Twitter 99: His lips are swollen, while his cheeks puff out, boyish, chipmunky. They're reddened because he slept outside his mountain cabin.

Twitter 100: Milt attempts to write copy. The ad design shows a metallic gizmo with Ethernet cables like tentacles: "Your Autolink Connection Solution."

Twitter 101: He's re-written the ad copy five times. Each revision is as though he hasn't written the previous copy. Does he think we wrote it?? Nuts.

Twitter 102: Maybe he imagines we're mutinous trinkydink catchphrase sailors. I can see the grimace on Mike's face as Milt sits behind him and banters.

Twitter 103: "OK Mike, let's look at this really super cool design. I mean, you're really a genius. This is what we need! It's what I was thinking!"

Twitter 104: Two seconds later: "Let me show you what I would do. I mean, this is a little too goo gah. You should have caught this bad vibe idea."

Twitter 105: "Well yeah, we could use a little less of the trinky and the dinky," Mike grimaces, realizing he doesn't understand his own words.

Twitter 106: Milt nods in agreement as if Mike finally understands the manager's enlightened marketing lingo. "Exactly. So make the changes," Milt says.

Twitter 107: I'm bored with the nonsense of micromanagement and wander to the bathroom to wash my face. I wonder: Is this everyone's mad corporate dream?

Twitter 108: Just as I demand to the mirror that I wake up, the bathroom door opens. It's Glen from Tech Support. "Fancy meeting you here," he says.

Twitter 109: "You know, it's funny how you can only take so much of work before you have to get up from your desk and attempt to piss it away," he adds.

Five.

Twitter 110: Mike stares into an outdated MAC G3. He downloads a Prince tune because we think a boyish secretary looks like she starred in "Purple Rain."

Twitter 111: Our desks share the opposite walls of a low-wall cubicle. We can see each other working. This is the part of the ant colony where the mandibles are made out of NERF.

Twitter 112: Mike's got a contract the rest of us don't have making him immune from the daily grind. Truth? He never has to attend marketing meetings.

Twitter 113: Jealousy: Mike's strange anti-meeting immunity idol that he wears around his neck. It's a secret "Survivor" clause he can't talk about.

Twitter 114: That doesn't stop me from harassing him each day. And it doesn't keep him from showing off his imaginary idol and thumbing his nose at me.

Twitter 115: He pretends to take it off and wave it at me. I think hateful thoughts. He grins. Would he eat rat poop on "Survivor"? Of course he would.

Six.

Twitter 116: I've been here six months. I do nothing. It comes down to setting the mood. Ask yourself: "What can I do my first three weeks on the job?"

Twitter 117: I brought four axioms for a better work environment and for better all-around 'inefficiency' when I first arrived at Buildicon.

Twitter 118: Write these down, but not necessarily in this order. No sticky notes please.

Twitter 119: 1) How to increase sexual tension in the workplace. 2) How to woo the corporate crowd with a tasty salsa. 3) How to have fun at work and not feel guilty about it. 4) The ‘three week’ rule.

Twitter 120: Number four: Fake incredible work ethic. Act busy even if paying bills online. Company prez should see you stay five minutes extra each day.

Twitter 121: Number three: Laugh. It makes people think twice about your state of mind. Believe me, work laughter is impossible to achieve for most.

Twitter 122: I'll get back to number two. Number one occurs with relative ease and is contrary to every corporate code ever written in the post "me" age.

Twitter 123: The idea is nothing is serious. So statements become flirty, bombastic, sexy, overly offensive, sexually humorous, odd-gestured signals.

Twitter 124: Mulani pretends to be a victim, though really she is just as strange as Mike and I when it comes to increasing sexual tension at work.

Twitter 125: Example: Mulani walks up to Mike's desk: "Can I see the report?" Mike: "Not sure I wanna share unless you're blindfolded." Mulani: "OK."

Twitter 126: And then she rolls her eyes right after licking her lipsticky red lips and walks back to her office. It's an hourly routine. So we cope.

Twitter 127: Example: Mike: "Got the plotter to work. Says it needed less suckage." I reply: "Who would have thought anything would need less suckage?"

Twitter 128: Mulani and Joan both roll their eyes and tell us we're sick. Truth? They would be bored if it weren't for our sexual tension statements.

Twitter 129: Same phrase by Doug in shipping? Forget it. Mulani prefers jokes from non-creepy guys. Besides, these are matter-of-fact axioms to live by.

Twitter 130: Back to number two. Early on at Buildicon, Mike said: "You've only worked a week and you're already stinking up the office with that salsa!"

Twitter 131: It's such moments where I'm most calm. I stood next to a big bowl of my salsa. I calmly handed Mike a tortilla chip. He raised an eyebrow.

Twitter 132: Mulani then stepped from her office. Two eyebrows went up as Mike dipped. He took a bite. He chewed. He double-dipped and that was that.

Twitter 133: Mulani smiled as she tasted the salsa. Soon afterward I couldn't keep middle management fingers from greedily grabbing food from my desk.

Twitter 134: Everyone stopped by but the corporate prez. He's kind of like one of those weird beasts in Star Wars than can't be swayed by the Force.

Twitter 135: This Force was a salsa I swore, "I will never share such a guarded secret with others." Ten days later I posted the recipe on willieboy.com.

Twitter 136: By the way, in regards to the fourth workplace axiom, after three weeks of exceptional behavior, slack to your heart's content.

Twitter 137: I buy an ant farm and name all the ants inside after me. I call them my collective consciousness. They're all named Willie. I talk to them.

Twitter 138: I take the ant farm to a coffeehouse. I get a mocha, smile at the ants, read the paper and feel like God spinning planets on his fingertips.

Twitter 139: What else can I do but bring the ant farm to work? Workers come, stare into the little cubicles of sand. They wander off. I feel giantish.

Twitter 140: Soon I come to work and the ant farm is filled with water. The ants float hopelessly, lifeless. Milt walks by, winks. I stop bringing salsa.

Twitter 141: Milt is in his Benetton sweater attire, probably bought at the Cusack Movie Collection auction from High Fidelity. He oozes seedy Hollywood.

Twitter 142: He declares himself a big fan of Japanese samurai movies. He currently reads, "Samurai Stories and Other Decapitation Romances." I hate him.

Seven.

Twitter 142: Most jobs are about nothing. The corporate world is no savior from that. I mean, what are we but a slowly drowning ant farm, anyway?

Twitter 143: I have a college degree, a marketing background that you can't laugh too hard at. But I make a mere 34K per year. I don't even have a car.

Twitter 144: I don't make as much as my cab-driving father did back in the 1970s. He didn't have a degree. So where's the money? At Buildicon?

Twitter 145: Not in this job where ant-killer Milt Butterlink gets 110,000 clamshells per year. Now I think I need to explain my take on advertising...

Twitter 146: Advertising. It's what fills sports stadiums, magazines, computer games, TV shows about nothing. It's a numbing new take on dish soap.

Twitter 147: Can you feel orgasmic about advertising? Sure you can. It gets ladies and gents to wash in adorable new ways and makes you coo and googoo.

Twitter 148: It's about interactive thinking. We need subliminal Buildicon messages that spin heads like soap bubble carousels in mindless playability.

Twitter 149: Ad creation takes enlightenment about the corporate world. A true mystery, yes.

Twitter 150: I work in a corporate world where everyone thinks I'm weird. No mystery there. Though I don't think my dead ants thought I was weird.

Twitter 151: Milt wants me to think up an ad concept for Buildicon's wireless recordable transmitter devices. it's for industrial data, like evil robots.

Twitter 152: I'll think up copy for an ad, sure. This industry is so C3PO. We help protocols speak to each other. He was a protocol droid. We translate.

Twitter 153: We can buildicon that gizmo. We can help protocols speak to one another. Only like C3PO I can't help but feel impending doom when I think.

Twitter 154: The day I saw boxes filled with pink sponge packaging I stared in wonder at the little rectangles. Here was my temporary answer to fun.

Twitter 155: Most corporate folk consider 'fun' a ludicrous non-serious detrimental work behavior. Creative marketing people are freaks who live for fun.

Twitter 156: Fun: more than just ballgame beer. Sorry to offend you simpletons. Fun is a complex process often meaning hyperfocusing on the mundane.

Twitter 157: There is something inherently appealing in a block of pink sponge. In and of itself it has no real value other than as a packaging product.

Twitter 158: You stuff them into empty spaces in boxes. They fill voids. Yet I see living shapes. I decide the sponge rectangles will make nice puppets.

Twitter 159: I suddenly want to create diorama of pink packaging corporate puppets, not merely for my entertainment, but for all bored Buildicon workers.

Twitter 160: What do you think if you see pink packaging sponges with faces: felt-pen grins of asinine pondering and surreal cartoonland pontifications?

Twitter 161: Mike and I design a character in this pink sponge puppet named Blockhead Joe. Much of his story is simple. He marries Airhead Pam.

Twitter 163: Blockhead Joe and Airhead Pam have a grand wedding. They appear on a sitcom. He cheats on her. She cheats on him. They have baby larvae.

Twitter 164: We put up a 'Free Larvae' sign. They're made out of packaging popcorn. We draw faces on them so each one is unique.

Twitter 165: Glen quits his job in Tech Support and takes his larvae to Mississippi. I soon get an email: "We're here!" I never hear from him again.

Twitter 166: Airhead Pam gets murdered. Some of the larvae turn into spawnlings that are Styrofoam, half sponge. Blockhead Joe gets framed.

Twitter 167: Blockhead Joe gets kidnapped. The ransom is twenty bucks. Body parts begin to arrive. How do I get away with this you might ask?

Twitter 168: I have no idea how I get away with this sponge show other than the four workplace axioms I defined earlier. I'll do some real work tomorrow.

Twitter 169: 2 am: I dream about my dead ant farm. I am inside it, lost. There are no ants to show me the way, only plastic walls and hulks of dead ants.

Twitter 170: I split open a dead dried ant and make a sort of shaman costume that I wear while I explore. I commune with their dead consciousness.

Twitter 171: I find a room with ant eggs stuck to the walls and ceiling. One is cracked open. Black lifeless eyes stare out at me. I am them.

Twitter 172: In my shaman ant dream I grow thirsty. I use two broken antenna as divining rods. I dig and water springs out. I wake up having wet the bed.

Twitter 173: Milt's eyeballs are nearly touching the new ant farm I brought to work. "Where are the ants?" he asks. "I just mail-ordered them," I say.

Twitter 174: He seems more impatient than me about the ants arrival: "When will they come?" Me: "Any second now." Milt stares for minutes on end.

Twitter 175: I finally get the ants and dump them into the ant farm. They spread throughout like they'd just been on vacation and start digging tunnels.

Twitter 176: I watch the ants watch me. I think they can see me. They gather at the plastic walls. No wait. It's the dead fly I put in there. Nevermind.

Twitter 177: After lunch I see the ant farm is a complete wreck. All the sand walls have collapsed. There's no movement. A Post-It reads: "Earthquake."

Twitter 178: Milt walks by. He doesn't look at me but snickers to himself. I follow him to the bathroom where I can hear him laughing insanely.

Twitter 179: Today is like yesterday only worse. I walk up to Buildicon where a bum pisses on a tire in the parking garage. Thank God I don't have a car.

Twitter 180: I say: "Don't you have a goddam outhouse? Or a newspaper? Or a friend to piss on? Cause you're pissing me off!" He laughs in my direction.

Twitter 181: I snap out of it as Buildicon's self-imposed beauty queen, Kira de Frito passes by. She builds spreadsheets that Mulani has to fix.

Twitter 182: She talks to Brazilian product buyers, perhaps about lingerie. She's the Wicked Witch of the West Indies, kind of dark, with a hook nose.

Twitter 183: Kira de Frito slinks by in a jaguar of an outfit, very catlike, with tight black pants and cleavage you could put a pineapple platter on.

Twitter 184: By the copier Mulani tells me about Kira de Frito's crisis: "I will not suffer this one alone. She has to dance for her husband." Me: "No!"

Twitter 185: Me: "He can't?" Mulani: "Nope." Me: "So she dances a jig each night before they salsa?" Mulani: "Every night." Me: "Horrible!"

Twitter 186: I mean, don't get me wrong. Shake it don't break it. "But that's not all of it," Mulani says. I run the copier again to buy more time.

Twitter 187: Mulani: "She's only clothed from the waist up, a corset." Me: "Right now?" I look. "No, you idiot. When they you know," Mulani says.

Twitter 188: As I sit down at my desk I suddenly realize that if Buildicon is the social heart of Americana I'd rather be in Brazil with Kira de Frito.

Twitter 189: I want to be carrying around platters of pineapples, wear an oversized cabana shirt, and see Kira scream "Carnival!" in her coconut bikini.

Twitter 190: I'd rather it be Mulani than Kira de Frito. Let's eat, let's dance, let's get away from the color grey in a seaside town filled with color.

Twitter 191: Except there will be copacabana boys by the hundreds. I can't bear the thought of losing Mulani to a pineapple plate distributor.

Twitter 192: "Ay!" I yell. "Is there no justice?" Mike looks at me. I don't think he cares that I yelled. He's busy designing a robotic ad for Buildicon.

Twitter 193: Me: "Do we have to sing a musical?" Mike: "Yes. Can we make one up?" Me: "Of course. I don't know any actual words or tunes. Do you?"

Twitter 194: Mike realizes he doesn't know any musicals either, but we sing. He leads. Next door is the president's office. He doesn't say a word.

Twitter 195: He knows we're crazy. He's also happy because I know Margo in Orders just intercepted a fax that he paid $300,000 for a turbo prop.

Twitter 196: And that's OK, except now he's wearing goggles to work. He's happy we're bringing life to the land of grey. But now I call him captain.

Twitter 197: Up walks Kira de Frito. Dear me, did I forget to mention that she has a birthmark on her forehead? She's got that look in her eye again.

Twitter 198: "You do not like me," Kira says. I say in reference to her birthmark: "You're so retro Gorbachev." She doesn't get it.

Twitter 199: We battle with questions: "What did I ever do?" "You didn't like the song?" "Why are you so angry?" "Are you not a fan of musicals, Kira?"

Twitter 199: Kira de Frito once starred in a Brazilian novella. I never acknowledge her stardom. So she's overly sensitive. She bolts into Milt's office.

Twitter 200: "What's up with the colorful new ads?" I say to Mike. "It's like robots in dance gear." Mike: "It's our new look and feel." Me: "Rainbows?"

Twitter 201: Mike imitates Milt Butterlink: "Make Buildicon recognizable with color." He adds, "Milt can't choose one color so he goes with them all."

Twitter 202: Milt's door opens and out pops Kira de Frito. She bolts for her cubicle. "What's up her pineapple?" Mike says.

Read more "Small Places" at www.twitter.com/smallplaces

Labels: , , , , , , , , ,

N.L. Reviews Scariest Book Of 08: The Shell Game



Steve Alten is an author you can say has gone green—way green. In fact he’s gone so green that he’s dedicated his entire new novel, “The Shell Game” to his fight to help others realize that not only is oil becoming very scarce, it’s part of a big business and political front, that he believes, could lead to global conflict.

Talk about scary... read my Nick 2.0 post on The Shell Game.

YouTube On-Air Segment:

Labels: , , , , , , ,

Yosemite Writers Conference: Demystifying Chick lit and Women’s fiction - By Melinda Carroll

I remember the reactions I received last year during the 2006 Yosemite Writers Conference when I said "women's fiction" was the genre my writing fell into. Some people assumed I wrote chick lit and responded as if it wasn't a real genre.

Why such a reaction? What’s wrong with women’s fiction? Nothing. I was simply a minority in a sea of mystery and thriller writers.

So I was excited to learn that at this year’s conference Farrin Jacobs, co-author of See Jane Write: A Girl’s Guide to Writing Chick lit, which I bought at last year’s conference, and a former chick lit editor was conducting a workshop called “Chick lit is dead and other myths about women’s fiction.”





Is chick lit dead? According to Jacobs chick lit is not dead, however, because of its popularity and market saturation it’s harder to get chick lit published now than a few years ago.

In a heavily saturated market, how do you get your chick lit novel or women’s fiction novel published? Quite simply, you have to make your novel stand out. Jacobs stated, “you have to have perfectly imperfect main characters that are identifiable to every woman; you have to get your chick lit voice down and write the novel you want to write, and you have to know your audience.”

The thing that chick lit or women’s fiction does very well is deal with tough issues in a humorous, human way. A perfect example is Jennifer Weiner’s debut novel, Good in Bed, where she wrote:

“Loving a Larger Woman,” said the headline, “By Bruce Guberman.” Bruce Guberman had been my boyfriend for just over three years, until we’d decided to take a break three months ago. And the Larger Woman, I could only assume, was me.”

Weiner, who is now a household name in the world of chick lit, cleverly propels her character and the reader on a journey of self-esteem issues and self-discovery that is poignant, endearing and quite funny.

And let’s not forget Helen Fielding, the queen of chick lit who created the character of Bridget Jones and gave her to the world through her novels Bridget Jones' Diary and Bridget Jones: The Edge of Reason. For Bridget Jones lurks in every woman everywhere no matter how hard we try to hide her.

Chick lit as we know it today stems from or is modernized Jane Austin. Jane Austin is the real first lady of chick lit or women’s fiction. She helped create a genre for women when it wasn’t fashionable to be a woman author.

What I love about chick lit or women’s fiction is that it deals with the tough issues, the emotional issues, and while the writing can be very literary, it’s also smart and humorous, like women.

Jacobs covered the basics of writing chick lit and women’s fiction in her workshop discussing the importance of character development, character arc, pacing, plot, tense, point of view, the art of having a storytelling device, and the ending. “Chick lit wants either a happy ending or the promise of a happy ending,” Jacobs stated, “however, if your work is more literary your ending may be more ambiguous.”



The chick lit label does come with somewhat of a stigma. I think it has to do with all the pink book covers and references to shoes. Which is great for marketing, but for some reason the term chick lit sends a message that its not serious fiction. Whereas the term women’s fiction seems to have more depth. In a recent interview with Lara Tupper, author of A Thousand and One Nights, I asked her thoughts about chick lit and the chick lit label.

Here’s what Tupper had to say:

“I think the chick-lit label is problematic because it implies that a book is meant to be read by a certain demographic. And I find the term itself a little confusing-- not at all subversive (as in “we are chicks, hear us roar”). It’s become synonymous with ‘light’ subject matter and I’m not sure why that is. Because it’s written by women about women? A book such as Nick Hornby’s High Fidelity (a book I adore) is also a novel about pop songs and relationships. It’s narrated from a male point of view and yet it’s certainly not a book meant only for men. So I think the label chick lit points to a misconception or a double standard based on gender: Women write books for women while men write books for all.

That said, I think there’s nothing wrong with ‘light’—and I think it’s entirely possible for novels to be both ‘entertaining’ and substantive. In A Thousand and One Nights, I try to use pop lyrics in service of humor and to place the reader quite firmly in the mid to late 1990’s. But I also try to say something about disillusionment.”


I agree with Tupper that the label chick lit can have some negative connotations. It’s almost like saying men read real books and women read the pink fluffy books called chick lit. However, some chick lit can be just as compelling as the 'real' books. I’ve laughed and cried my way through chick lit just as I have more literary works.

As a reader and writer of chick lit and women’s fiction, I was pleased to have the genre represented at the conference and presented so well by Farrin Jacobs. I learned a lot more about chick lit and women’s fiction, why I love it and why I want to write it.

More on the 2007 Yosemite Writers Conference:

Is Book Publishing Dead? Yosemite Writers Conference Provides Food For Hungry Writers
Yosemite Writers Conference: A Conversation about Blogging
Rambo Creator Reinvents Captain America
Yosemite Writers Conference: Demystifying Chick lit and Women’s fiction
Yosemite Writers Conference: Poetry talk
Mystery talk after David Morrell's big speech
2007 Yosemite Writers Conference: Brenda Knight Sidesteps the TVA man
Yosemite Writers and the Chukchansi bathroom break
Headed to Yosemite Writers Conference to talk writing for social change

*****************
Read Noveltown’s experiences at last year’s Yosemite Writer’s Conference:

By N.L. Belardes
A Writer in Yosemite: Part One
A Writer in Yosemite: Part Two
A Writer in Yosemite: Part Three
A Writer in Yosemite: Part Four
A Writer in Yosemite: Part Five
A Writer in Yosemite: Part Six
A Writer in Yosemite: Part Seven
A Writer in Yosemite: Part Eight

By Matildakay
A great literary weekend
What's your type?
How to Approach a Literary Agent...
The Mary Wong Lee Memorial Scholarship
Malcolm Margolin is Posh
Hanging out with the Pirates of Yosemite and setting the record straight
Kill Your Darlings

Labels: , , , , , , , , , ,

Schedule for the Yosemite Writers Conference – By Melinda Carroll

In a recent interview with Bonnie Hearn Hill about the Yosemite Writers Conference, she stated:

“We have four workshops an hour geared for everyone at every stage of her/his career; however, we encourage writers to follow their passion. If a beginning writer wants to attend a workshop on how to sell books to film, that’s fine. I should add that we have a talented sound professional from Hawaii recording all of the workshops, so if you miss one you think you might like, you can purchase a CD.”

Wow! That’s a lot of workshops! And there are a lot of great topics being covered! There are a couple of timeslots where I wish I could clone myself and sit in two workshops at the same time. I just might have to purchase a CD of the workshops so I don’t miss anything.

Take a look at the schedule of workshops for next week’s Yosemite Writers Conference:

Friday August 24:

9:15 – 10:15 AM
Sharpen Your Hooks – Fiction
Writing For Social Change
Writing and Publishing Your Memoir
Writing Anthologies For the Soul

10:45 – 11:45 AM
Ghosting Where the Money is: A Guide to Co-authoring
How to Stand Out in the Nonfiction Market
Selling to Chronicle Books
Editing Poetry: Entering the process whole and coming out humming

1:45 – 2:45 PM
All About Platform: If You Build It, They Will Come
Spiritual Writing in the Age of The Secret
Selling to Tor Books
Chick Lit is Dead, and Other Myths About Women's Fiction

3:00 – 4:00 PM
How to Pitch an Editor
Rates, rights and rules of engagement: What you need to know about magazine freelancing
Selling to Weiser Books
Take Your Book to the Movies

Saturday August 25:

9:15 – 10:15 AM
He, She and the Dreaded Omniscient: Point of View at Close Range
Confessions of a Contest Judge
Picture Book Manuscript Critique
Beyond the Basics - What Every Author Needs to Know Before, During and After Publication

10:45 – 11: 45 AM
Sharpen your Hooks – Nonfiction
Blogging Your Way to Fame

1:45 – 2:45 PM
How to Pitch an Agent
Murder, They Wrote: A Guide to Mystery, Suspense & Thrillers
Writing for Guideposts

3:00 – 4:00 PM
Tapping the Hot YA Market
Invisible Genius: Ghostwriting for The Penn Group
Twisting the Mystery Plot

*****************
www.noveltown.net
www.yosemitewriters.com

Labels: , , , , , , , , , , , ,

Lacey Alexander talks about her novel Voyeur and Erotica – By chingpea



Recently I stepped away from my normal behind the scenes role of marketing relations and printer wars and connected with erotica author Lacey Alexander. She was gracious enough to be my ‘first’ Noveltown book review. I found her to be as ‘deliciously decadent’ as her novel Voyeur and you will too.

In Voyeur, Alexander takes the reader on a steamy ride with Laura a writer suffering writer’s block who travels to Colorado in search of inspiration. She soon discovers more than she bargained for as she embraces her sexuality and imagination. Read Voyeur with a pitcher of ice cold water within arm’s reach. Believe me, you’ll definitely need it!



Lacey Alexander is an intoxicating, erotic writer using sensual and sexual prowess to embrace your inner passions and desires. Sexual discovery at its best, Voyeur entices you from beginning to end.



Typically erotica fiction is predominately read by women, Voyeur, however, is a book that men would enjoy as well. In fact if you dare, read Voyeur aloud with your partner. It might just be the thing to spice up your love life!



An arousing read, I definitely enjoyed Voyeur and would absolutely love to read whatever project she has next!



Alexander had some great insight into the world of erotica fiction. Check out the interview:

Noveltown: I love that Voyeur is super steamy, romantic erotica. You must get a lot of satisfaction from pleasing your audience. Thoughts?

Lacey Alexander: The reader response to my books has been overwhelming and helped me to realize that I’ve unexpectedly tapped in to something a lot of women relate to and even need – the “permission” to explore their most forbidden sexual fantasies. Readers also often tell me that my books have enhanced their marriages and I can’t imagine anything more gratifying than that.

Noveltown: One day you made a decision in your life to become the type of author that you are. Was there a certain influence on your decision? And, do other authors inspire you?

Lacey Alexander: I actually started writing erotica because my mainstream romance career (written under another pseudonym) was in a downturn and the erotica market was beginning to flourish. So it was a strictly strategic move in the beginning, to be honest. Kind of an “I think I’ll take a stab at writing that kind of book” decision. But it worked out to be very serendipitous since I gained a loyal readership very quickly. As it stands, both careers are going strong and I couldn’t be happier.

And no, I actually have avoided reading most other erotica, deciding early on that I was going to make my books what I thought “a woman’s perfect erotic fantasy” should be and that if it worked, it worked, and if it didn’t, then I wasn’t meant to write erotica. But apparently I was meant to write erotica.

Noveltown: Do you consider yourself more sensual or sexual when it comes to erotica? And your audience?

Lacey Alexander: Both, actually. And my readers seem to respond very positively to the combination of both sensuality and sexuality. I actually think that’s what makes them work, and hopefully what makes them feel a little unique among erotica offerings.

Noveltown: I love how your website says, “Discover your inner bad girl.” Do you think erotica fans find themselves discovering their “inner bad selves” when they read Voyeur?

Lacey Alexander: I certainly hope so. I hope every one of my books invites readers to recognize and embrace that part of themselves. I should add that I don’t advocate that people go out and “live the fantasy,” but I think it’s very healthy to recognize that it’s okay to think about “forbidden” things.



Noveltown: Was there research for Voyeur? Dare we even ask?

Lacey Alexander: Ha! No, not really. But the setting came from a vacation home I stayed in a few years ago, and I concocted the idea while on the trip.

Noveltown: Laura Watkins and Braden Stone mirror the characters of Riley Wainscott and Sloane Bennett. Since Laura uses acquaintances as well as herself as inspiration for her characters and character experiences, do you as the author do the same?

Lacey Alexander: No, I never really draw characters from real life. They’re all in my head.

Noveltown: You must receive a lot of feedback from your fans. Give us some of the goods about what men have been saying versus women…

Lacey Alexander: Actually, when I hear from men, it’s usually short and sweet, something like: I enjoy your books. And that suits me fine. I really don’t want to get into sexual discussions with guys I don’t know and when I get e-mails from men who seem to want to have cyber sex, I hit the delete button quick. I’m a happily married woman, after all. So I don’t know exactly how men perceive the books, only that I do have male readers who enjoy them. It’s the women who tell me they find my books very liberating and also the books have made them bolder with their partner, more comfortable with sex, etc., and if that’s all I accomplish before I die, I’m pretty happy with it.

Noveltown: Did anything get in the way of your imagination when deep into discovery and fantasy regarding writing Voyeur?

Lacey Alexander: When I’m writing erotica, it’s very necessary to turn off my internal “edit button,” to simply not censor myself. When I first started writing these books that part was a challenge – I had to pretend no one would ever read them but me. And I will admit that there are a few scenes in my books that I can’t quite believe I wrote, because they’re so contrary to the real me. But I’ve written enough erotica now that it comes pretty easily and is just part of the job.

Noveltown: Thanks for taking part in this interview. Just one more thing. What's coming next?

Lacey Alexander: Thanks for asking! I actually have lots in the works! As you know, VOYEUR came out in May, and it went back for a second printing after just a week on the shelves! In July, CITY HEAT becomes available – which combines the first two novellas of my City Heat series in one print volume (the novellas are available individually as e-books through www.ellorascave.com). In September, I have a short story in an anthology called SEASONS OF SEDUCTION III. My contribution is called THE PIRATE AND THE PUSSYCAT and is a fun Halloween romp. Then in April 2008, Penguin will release my second novel with them, SEVEN NIGHTS OF SIN, which is an erotic odyssey through Las Vegas. Readers can learn more about these and my other books by visiting me online at www.laceyalexander.net.



Thank you so much for a great interview. I enjoyed it!

Pick up your copy of Voyeur here . Also check out Lacey’s myspace .

Labels: , , , , , ,

New Noveltown contests are on the way? - By N.L. Belardes

Bakersfield's Indie press, Noveltown (That's us) is gearing up for some cool contests. Get ready. Get your thinking caps on. Get your game on... Keep checking the Noveltown site for details... go there now for some hints...

You ready?

-n.l.

Labels: , , , , , , , , , , , , , , ,